WHEN I was informed that I was doing a story about the Santo Niño and would be interviewing someone who has spent most of her life collecting the Holy Child’s images, the memories of my lola’s church-like altar at her old house in Pasay slowly crept into my mind. We were all raised under the Catholic faith, and devotion went more than going to Holy Mass on Sundays—it extended to saying the Holy Rosary, the Wednesday novenas at Baclaran, as well as an unwavering faith to the Santo Niño. But how did we Filipinos start with such a devotion to a child? In the book Santo Niño, The Holy Child Devotion in the Philippines edited by Abe Florendo, it was said that our Spanish colonizers not only introduced Christianity to our people, but also transplanted the flamboyance of baroque art. This, they say is evident in the Niño that Ferdinand Magellan brought with him in 1521—dressed in a long-sleeved silk shirt, accented by a bib or lace ruff, worn with a gold embroidered vest over pantaloon. A sash and a belt, knee-high leather boots and cape of rich brocade completed the image’s look.











